Interpreting the New York Mayor's Sartorial Choice: The Garment He Wears Tells Us Regarding Contemporary Masculinity and a Shifting Society.
Coming of age in London during the 2000s, I was constantly immersed in a world of suits. They adorned businessmen rushing through the financial district. They were worn by fathers in the city's great park, kicking footballs in the evening light. Even school, a inexpensive grey suit was our mandatory uniform. Traditionally, the suit has served as a uniform of gravitas, projecting power and performance—traits I was expected to embrace to become a "man". Yet, until recently, people my age appeared to wear them less and less, and they had largely disappeared from my mind.
Then came the incoming New York City mayor, Zohran Mamdani. Taking his oath of office at a closed ceremony dressed in a sober black overcoat, pristine white shirt, and a notable silk tie. Propelled by an innovative campaign, he captivated the public's imagination like no other recent mayoral candidate. But whether he was celebrating in a hip-hop club or appearing at a film premiere, one thing remained largely constant: he was almost always in a suit. Loosely tailored, modern with soft shoulders, yet traditional, his is a quintessentially professional millennial suit—that is, as common as it can be for a generation that seldom bothers to wear one.
"This garment is in this strange position," notes men's fashion writer Derek Guy. "Its decline has been a gradual fade since the end of the second world war," with the real dip arriving in the 1990s alongside "the rise of business casual."
"Today it is only worn in the strictest settings: weddings, memorials, to some extent, court appearances," Guy states. "It is like the kimono in Japan," in that it "fundamentally represents a custom that has long ceded from daily life." Many politicians "wear a suit to say: 'I represent a politician, you can have faith in me. You should vote for me. I have legitimacy.'" But while the suit has historically signaled this, today it enacts authority in the hope of winning public confidence. As Guy clarifies: "Because we are also living in a liberal democracy, politicians want to seem approachable, because they're trying to get your votes." In many ways, a suit is just a subtle form of drag, in that it performs manliness, authority and even closeness to power.
Guy's words stayed with me. On the rare occasions I need a suit—for a wedding or formal occasion—I retrieve the one I bought from a Tokyo department store several years ago. When I first picked it up, it made me feel refined and high-end, but its slim cut now feels outdated. I imagine this sensation will be all too recognizable for many of us in the diaspora whose parents come from other places, especially global south countries.
Unsurprisingly, the everyday suit has fallen out of fashion. Like a pair of jeans, a suit's silhouette goes through trends; a specific cut can thus characterize an era—and feel rapidly outdated. Take now: looser-fitting suits, reminiscent of Richard Gere's Armani in *American Gigolo*, might be in vogue, but given the cost, it can feel like a significant investment for something likely to be out of fashion within five years. Yet the appeal, at least in some quarters, endures: recently, department stores report suit sales rising more than 20% as customers "move away from the suit being daily attire towards an appetite to invest in something special."
The Politics of a Accessible Suit
Mamdani's preferred suit is from Suitsupply, a Dutch label that sells in a mid-market price bracket. "Mamdani is very much a reflection of his background," says Guy. "A relatively young person, he's not poor but not extremely wealthy." To that end, his moderately-priced suit will resonate with the group most inclined to support him: people in their 30s and 40s, university-educated earning middle-class incomes, often frustrated by the expense of housing. It's precisely the kind of suit they might wear themselves. Affordable but not lavish, Mamdani's suits arguably align with his proposed policies—which include a capping rents, building affordable homes, and fare-free public buses.
"You could never imagine Donald Trump wearing this brand; he's a luxury Italian suit person," observes Guy. "As an immensely wealthy and grew up in that property development world. A status symbol fits naturally with that elite, just as more accessible brands fit well with Mamdani's constituency."
The legacy of suits in politics is extensive and rich: from a former president's "shocking" beige attire to other national figures and their suspiciously polished, tailored appearance. As one UK leader discovered, the suit doesn't just clothe the politician; it has the power to define them.
The Act of Banality and Protective Armor
Perhaps the point is what one academic refers to the "performance of banality", summoning the suit's historical role as a uniform of political power. Mamdani's particular choice leverages a studied understatement, not too casual nor too flashy—"conforming to norms" in an inconspicuous suit—to help him appeal to as many voters as possible. However, some think Mamdani would be aware of the suit's historical and imperial legacy: "The suit isn't neutral; scholars have long pointed out that its modern roots lie in imperial administration." Some also view it as a form of defensive shield: "I think if you're from a minority background, you might not get taken as seriously in these traditional institutions." The suit becomes a way of asserting credibility, perhaps especially to those who might doubt it.
Such sartorial "changing styles" is not a new phenomenon. Even historical leaders previously wore three-piece suits during their formative years. These days, other world leaders have started exchanging their typical fatigues for a dark formal outfit, albeit one without the tie.
"Throughout the fabric of Mamdani's image, the struggle between insider and outsider is visible."
The suit Mamdani selects is highly symbolic. "Being the son of immigrants of South Asian heritage and a progressive politician, he is under scrutiny to meet what many American voters look for as a sign of leadership," notes one author, while simultaneously needing to walk a tightrope by "not looking like an elitist betraying his non-mainstream roots and values."
Yet there is an sharp awareness of the different rules applied to who wears suits and what is read into it. "That may come in part from Mamdani being a millennial, able to assume different personas to fit the situation, but it may also be part of his multicultural background, where adapting between languages, customs and attire is typical," commentators note. "Some individuals can remain unnoticed," but when women and ethnic minorities "seek to gain the power that suits represent," they must meticulously negotiate the codes associated with them.
In every seam of Mamdani's official image, the dynamic between belonging and displacement, insider and outsider, is evident. I know well the awkwardness of trying to fit into something not designed with me in mind, be it an cultural expectation, the society I was born into, or even a suit. What Mamdani's style decisions make evident, however, is that in public life, image is not without meaning.